What I find hillarious is that the depiction of race relations in Crash is hailed by those who claim that people who reject this view "can't understand because they're white" (for white objectors; they have different explanations for blacks who reject this view). Yet, surprise, the entire creative team of Crash is honkey! Tom, do you object to these crackers lecturing Nadir about racism in the US? Here's a black person who has my view of the film. He's a black person who lives in LA, the location of Crash. According to Nadir's ostensible view on such matters, only a black person in LA is qualified to to critique this guy's assessment!